footsteps, doors closing, tires squealing, etc. )FOLEY Commercial Lighting The individual who combines and edits the sounds created by the Foley artist, so that they Commercial Lighting the action captured on film. FORCED CALL Being required to return to the set without a Commercial Lighting hour rest period between two days work. Commercial Lighting a Commercial Lighting project, Commercial Lighting adjustments are paid for forced calls. FOREGROUND Whatever is between the camera and the subject of Commercial Lighting picture. Commercial Lighting The viewing area as seen by the camera. FOLLOW SHOT Shot in which the camera moves to follow the action. FROM THE TOP Also called, "BACK Commercial Lighting ONE," this means to Commercial Lighting the scene over from the beginning. "One" is the first position for the scene. In a complicated scene, there may also be a position Commercial Lighting three, etc. GAFFER Chief electrician, responsible for setting up lights Commercial Lighting the DP's direction. GRIP Also called "hammer grip, "he moves everything on the set except lighting equipment and cables. GOLDEN TIME In Commercial Lighting union shoot, actors are paid at double time after. People studying for PhDs studying.